What’s new in the International Journal of Cultural Policy? The IJCP’s special book review issue

A classic cover of Raymond Williams' classic study, Culture and Society 1780-1950.

The first issue of the International Journal of Cultural Policy for 2010 is a refreshing departure from its more typical, research-0based fare: an issue of book reviews by some of the leading thinkers in the field – many of whom I’ve discussed on this blog.

So, for instance, there is Jeremy Ahearne on Michael de Certeau’s The Practice of Everyday Life,  Franco Bianchini on Peter Hall’s Cities in Civilisation, Bennett himself on Raymond Williams’ classic Culture and Society, and Eleonora Belfiore on  Janet Minihan’s The Nationalization of Culture: the development of state subsidies to the arts in Great Britain. Interestingly, given the strident debate that has developed about the “neo-liberalism” of the creative industries school, Stuart Cunningham has opted to review that capitalist classic, Joseph Schumpeter’s Capitalism, Socialism and Democracy.

Editor Oliver Bennett writes that:

This special issue gathers together some personal reflections on the intellectual influences of many of those that have contributed to the development of cultural policy as a field of academic enquiry. Each contributor was invited to write a short review essay on one book that had influenced his/her thinking and which s/he would want new students of cultural policy to read.

The collection thus serves a twofold purpose: it offers a fascinating insight into the intellectual force fields within which the study of cultural policy has grown up; at the same time, it provides a valuable resource for teachers of cultural policy, their students and all those with a general interest in the field.

For breadth and diversity, it’s one of the best issues of the IJCP for some time.

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What’s new in the International Journal of Cultural Policy: implicit cultural policy with Jeremy Ahearne

This May’s issue of the International Journal of Cultural Policy is entirely devoted to so-called “implicit” cultural policies. Heading it up is a fine paper by one of the special issue’s editors, Jeremy Ahearne, entitled “Cultural Policy Explicit and Implicit: A Distinction and Some Uses.” [Volume 15, Number 2, May 2009 , pp. 141-153]. I even found a link to it, so you can read it here.

Ahearne picks apart one of the key features of the cultural policy landscape, which is that what governments call “cultural policy” has very little to do with many of the most important policy decisions taken about culture,  and the fundamentally cultural nature of so much government activity. After all, Ahearne remarks, it is easy to see that “appearance-management [is] as an essential task in the preservation of political power.” Citing one of Geoff Mulgan’s early books (and I found Mulgan’s Good and Bad Power one of the best contemporary explorations of pragmatic political philosophy), he points out that:

Geoff Mulgan and Ken Worpole alerted us long ago to the fact that the cultural policies doing most to shape national cultures were not being framed within bespoke government departments but in the boardrooms of powerful transnational commercial organisations such as (in the 1980s) Virgin, News International or Benetton (Mulgan and Worpole 1986, p. 9).

He goes on to look at some of the “soft power” ideas of Joseph Nye, whose belief in the strategic and geopolitical imperatives of US interests led him to argue for such state-sponsored communication policies as Voice of America, and then examines the French cultural policy ideas of Regis Debray such as “laicity.”  All in all, it’s a thoughtful and intersting exploration of a oft-remarke3d but little-studied disjunction in the cultural policy debate. As Ahearne concludes:

The purpose of this article has been to open up rather than close down perspectives. For some readers, I am sure that I will have opened things up too widely, and thrown cultural policy studies way beyond its historically legitimate expertise in arts subsidy and regulation. But as is well known, ‘culture’ is not synonymous with ‘the arts’ (why have two words for the same thing?). And the name of our discipline invites us to explore those areas where policies (strategic courses of action) and cultures (embodied systems of attitudes and values) collide and intersect, whether or not these or other terms are used to describe and to mask the processes involved.