Well well, who would have thought an essay about cultural policy would generate so much heat?
A book chapter for the Centre for Policy Development by Marcus Westbury and myself has started to gain some serious attention in the high arts in Australia. I’ve already covered Richard Mills’ reaction to it here. But today in The Australian, there is a long article from Rosemary Sorensen about the debate, which includes the first formal response from Australia Council CEO Kathy Keele:
Australia Council chief executive Kathy Keele agrees that the dichotomy is unhelpful. “It’s not either-or,” she says, “it’s about doing it all.”
While she welcomes the debate, Keele does say that Westbury, who has created festival events under the Australia Council’s banner and also helped write one of its arts guides, has not done his homework well enough.
“He’s talking about an Australia Council that does not exist,” she says. “This whole conversation about heritage is not relevant: it’s really that we need more funding for the arts across the board.”
Keele laughs off the idea that an orchestra playing Bach or a theatre company performing Shakespeare is somehow out of date because the composer or the playwright is no longer with us.
“The people going to see it are not dead,” she says.
“Those performances are still about today.”
Of course, regular readers of this blog will know that this is in turn a misrepresentation of Marcus’ arguments, and I humbly suggest Keele should have a careful read of our essay. In it, we don’t actually say that Shakespeare or Bach are “out of date” because they are “no longer with us”, but we do point out the Australia Council’s overwhelming funding bias towards a small number of cultural organisations and a narrow range of cultural expressions.
As we point out in the essay, while there is substantial funding for organisations to perform works by Bach or Shakespeare (including funding for an entire company devoted to Shakespeare), only 2% of Australia Council music funding goes to contemporary music, only 5% of the arts funding in this country is devoted to living artists making new work, and the Australia Council gives five times as much funding to one opera company as it does to its entire Aboriginal and Torres Strait Islander Arts Board.
The debate is set to continue, so stay tuned.